![]() B-flat blues scale from the B-flat major scale No. The 7th note is the octave of the tonic note, where the pattern begins to repeat itself. So for this major scale, the 5th note of the major scale is flattened from F to E to make the blue note.īelow are those notes numbered 1 to 6 on the piano keyboard. The flattened 5th is the blue note that gives the blues scale its distinctive sound in this key. ![]() To flatten a note, just replace it with the piano key lower in pitch ie. The 2nd and 6th notes of the major scale are not used. The blues scale is made from the 1st, flattened 3rd, 4th, flattened 5th, 5th and flattened 7th notes from the major scale above. A commonly found British standard assigns "c1" to middle C.This step shows the 6 blues scale notes constructed using the major scale of the same key. Octave designation: The International Standards Organization (ISO) system for register designations assigns "C4" to middle C (the first ledger line below the staff in treble clef). ° Grove Music Online definitions: soprano: ° Catherine Schmidt-Jones' article and chart. ° The Wikipedia article on vocal range, which gives different ranges for operatic works and choral works. Vocal ranges for solo or choral works may differ, as evidenced from the different ranges found in other sources. Note: these definitions, from the New Harvard Dictionary of Music, are used in music cataloging, using the Library of Congress Subject Headings and RDA. These ranges correspond to the following: ![]() If no vocal range is indicated, use the ranges specified in the New Harvard Dictionary of Music: General practice is to follow the instructions given in the Subject Cataloging Manual: Subject Headings section H 1917.5: Base vocal range on the verbal indication on the item. RDA does not define the ranges of vocal types. Music Cataloging at Yale ♪ General music cataloging resources Vocal Ranges according to The New Harvard Dictionary of Music
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